1892-1962
The Sculptor Who Empowered a Generation
AUGUSTA SAVAGE
Portrait Head of John Henry // c.1940
EARLY LIFE AND CHALLENGES
Augusta Savage, born Augusta Christine Fells on February 29, 1892, in Green Cove Springs, Florida, emerged as a formidable figure in the art world despite facing numerous obstacles. Growing up in a large family with limited means, Savage discovered her passion for art at an early age, using the natural red clay of her hometown to sculpt small figures.
Her father, a Methodist minister, disapproved of her artistic pursuits, viewing them as sinful. Despite this, Savage persevered, driven by her innate talent and determination. Her early experiences of adversity and resilience would shape her future career and activism in the arts.
Gwen Knight // c.1934/5
EDUCATION & EARLY CAREER
Savage's journey into the professional art world began with a significant achievement: winning a prize at the West Palm Beach County Fair for her clay sculptures. This success spurred her ambition, leading her to New York City in 1921 with just $4.60 and a letter of recommendation.
There, she was accepted into the prestigious Cooper Union School of Art, where she excelled, completing a four-year program in just three years. Despite the financial struggles and racial discrimination she faced, Savage's talent shone through, earning her commissions for busts of prominent African-American figures such as W.E.B. Du Bois and Marcus Garvey.
The Harp // 1939
Le Gamin // c.1930
HARLEM RENAISSANCE
Augusta Savage became a central figure in the Harlem Renaissance, a cultural movement that celebrated African-American art and literature. Her work during this period was not only artistically significant but also socially impactful.
Savage's sculptures, such as the renowned Gamin, depicted African Americans with dignity and humanity, challenging the stereotypes prevalent in art at the time. Her involvement in the Harlem Renaissance extended beyond her own creations; she actively worked to elevate the status of Black artists, advocating for equal opportunities and recognition in the predominantly white art world.
Portrait of a Baby // 1942
ARTISTIC STYLE & INNOVATION
Savage's artistic style was characterised by its realism and emotional depth. She focused on capturing the nuances of African-American life, using her sculptures to tell stories of resilience and hope.
Her most famous work, Lift Every Voice and Sing (also known as "The Harp"), was created for the 1939 New York World's Fair. This monumental piece, inspired by the song of the same name, depicted Black singers as the strings of a harp, held by the hand of God. Although the original sculpture was destroyed due to lack of funds for preservation, its impact endures as a symbol of her artistic vision and commitment to social justice.
The Pugilist //
ADVOCACY & EDUCATION
Beyond her sculptural achievements, Augusta Savage was a passionate advocate for African-American artists. She founded the Savage Studio of Arts and Crafts in Harlem, where she taught and mentored young artists, many of whom would go on to have successful careers.
Her leadership in the art community extended to her role as the first director of the Harlem Community Art Center, established under the Works Progress Administration's Federal Art Project. Through these initiatives, Savage provided vital support and resources to emerging Black artists, fostering a sense of community and empowerment.
Head of a Young Black Man // c.1931
ENDURING LEGACY
Augusta Savage's legacy is one of artistic excellence and unwavering dedication to equality in the arts. Despite the financial and racial barriers she faced, her contributions to the Harlem Renaissance and her advocacy for African-American artists have left an indelible mark on the art world.
Her life and work continue to inspire new generations of artists and activists, serving as a testament to the power of creativity and resilience. Savage's story is a reminder of the profound impact one individual can have in challenging societal norms and championing the rights of marginalised communities.